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by Dawn

Victor Frankenstein – a top film for Christmas?

November 30, 2015 in Uncategorized

Frankenstein's monsterI was about or nine or ten, nearing the end of junior school and had chosen Shelley’s Frankenstein, among others, for my holiday reading – even then so much thought went into what to read while I had time off (I’m currently planning my reading for Christmas 2015).

Christmas for me brought books, and new and shiny books with their lovely smell might well trump the library books I’d borrowed – perhaps this is a factor as to what spurred me on to finish the book in a 24-hour period.

From the start, I was gripped. I started the book in the morning and got dragged out to do last minute Christmas stuff with my family, my one focus was getting back to my bedroom and curling up with my book (so little has changed). On the pretext of being ‘good’ and going to bed early – always useful in front of your younger brother who still believes – I was in bed with my book much earlier than the norm.

Lights were dutifully turned off for the parental good night and surreptitiously switched back on so I could keep reading.

What a tale. Science – creating a person and then the horrible misunderstanding that unfolds as Frankenstein’s monster seeks companionship and finds that his appearance merely terrifies people. Igor is the ultimate misfit and I cried as I read on. The least scary monster in history illustrates the abyss of loneliness.

With the silence of the small hours and the excitement of tomorrow I finished the book and, for me, it will be forever inextricably linked with Christmas (perhaps the snowy scenes add to my Christmassy associations).

This week sees the launch of the film Victor Frankenstein, with a star studded cast including Daniel Radcliffe and James McAvoy. Apparently, it had a poor opening weekend in the States and, according to CinemaBlend, would have been better released around Hallowe’en.

How wrong. There is nothing remotely frightening about Frankenstein’s monster. Shelley’s novel explores being different and the reaction of the majority to the odd one out; rejection when you reach out. As a child it had me in tears and I’ve re-read Shelley’s monster masterpiece several times since, always having my heartstrings tugged. I’ll see the film but, most important of all, I’m going to pick up a new copy of Frankenstein at the Reading Group’s Christmas shopping trip to Waterstones and get myself in a festive mood with a long overdue re-read on the night before Christmas.

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by Dawn

The Iron Lady’s façade slips

January 20, 2012 in Uncategorized

The Iron Lady posterWith many reviews panning the film for its lack of politics, I didn’t expect a perfect history of the Thatcher years but I was unprepared for a poignant film about an elderly woman and her family coming to terms with a form of dementia.

Starting with a trip to the local shop for a paper and a pint of milk we quickly find that ‘the lady’ is not supposed to be out alone and that she still believes her husband to be with her, despite his having been dead for some years.

Mother, daughter and acquaintances are making hard adjustments as they cope with the altered personality of a woman who certainly proved herself determined, intelligent and strong – whatever you think of her politics.

Confusion and frustration

When signing a pile of books, Thatcher signs herself Roberts and the film touchingly depicts the loss of the shorter term memory as Margaret can’t even remember who she is. And so it continues; the confusion and frustration of a once powerful woman. We watch as she forgets that her son is in South Africa; she talks to an imaginary husband – seen through rose-tinted glasses for those who have heard about their relationship; and as a series of flashbacks show Thatcher’s recollections, there are tinges of regret too.

This isn’t a film about the politician, it is about the person. There is, of course, something of the politician, but her personal experience and career path are the greater part of this story. A woman in her twilight years looks back via a variety of devices: film of her children and husband holidaying in Cornwall; a headline about a hotel explosion; a dinner at a large table – these trigger memories that take us to different parts of Thatcher’s conscience.

Moving, whatever your views

For me, an aspiring politician, there were the beginnings of shared experience as Thatcher struggled to juggle the demands of family and politics and her comment (no idea if she ever said it) about ‘doing something, not being someone’.

No matter your views on politics or Thatcher, the film shows the loneliness, frustration and sadness that come with dementia – for the individual, family and friends. Whether it should have been made with Thatcher still alive is another discussion, though if it were a member of my family I’d be devastated.

The Iron Lady does make Thatcher somewhat vulnerable and highlights that old age happens to us all. As a fellow watcher commented: “it makes her human”. It certainly makes her a lot softer than the iron with which she has become synonymous.

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